约翰是一个非常普通的年轻人，在爱情和性方面，他总是对各种可能性保持开放的态度。他在哥本哈根唯一的同性恋桑拿浴室阿多尼斯找到了一份接待员的工作。在这里，他不仅工作，还与桑拿浴室的其他客人积累了非常个人的经历和邂逅。对于约翰来说，这座城市就像一个充满机会的无边无际的天堂，有酒吧、派对和一夜情，但只有当他遇到跨性别人士威廉时，他才真正近距离地体验到了爱情。两人的爱情面临严峻的考验，这在生活在一个对性别、爱情和身份有着刻板观念的社会中是很常见的。

　　约翰是一个非常普通的年轻人，在爱情和性方面，他总是对各种可能性保持开放的态度。他在哥本哈根唯一的同性恋桑拿浴室阿多尼斯找到了一份接待员的工作。在这里，他不仅工作，还与桑拿浴室的其他客人积累了非常个人的经历和邂逅。对于约翰来说，这座城市就像一个充满机会的无边无际的天堂，有酒吧、派对和一夜情，但只有当他遇到跨性别人士威廉时，他才真正近距离地体验到了爱情。两人的爱情面临严峻的考验，这在生活在一个对性别、爱情和身份有着刻板观念的社会中是很常见的。

　　Beginning with a pivotal encounter between two men in Goiás in the 1980s, director Daniel Nolasco weaves a narrative that spans across time and, perhaps, multiple dimensions, driven by the intense forces of desire and love, as well as the suffocating weight of repression and silence. Nolasco, who was featured in Olhar’s Focus section during the pandemic, continues his distinctive and undefinable journey with a radically queer cinema that refuses to look away from the often paradoxical physical expressions of both desire and violence.

　　Beginning with a pivotal encounter between two men in Goiás in the 1980s, director Daniel Nolasco weaves a narrative that spans across time and, perhaps, multiple dimensions, driven by the intense forces of desire and love, as well as the suffocating weight of repression and silence. Nolasco, who was featured in Olhar’s Focus section during the pandemic, continues his distinctive and undefinable journey with a radically queer cinema that refuses to look away from the often paradoxical physical expressions of both desire and violence.