The film is about an isolated woman who must confront her past when a fellow former cult member reaches out with news that their leader has been released from prison early.

　　The film follows the story of three girls in contemporary Paris. One searches for her lost mother since she knows she's adopted. The other has come out of a coma and needs to have a love relationship aside from his mysterious father. The third one is a crook who redeems herself through love. The action is commented by songs and dance routines.

　　The film follows the story of three girls in contemporary Paris. One searches for her lost mother since she knows she's adopted. The other has come out of a coma and needs to have a love relationship aside from his mysterious father. The third one is a crook who redeems herself through love. The action is commented by songs and dance routines.

　　A classic feature film, plus two great shorts continuing the `adopt-a-child` theme. In Pack Up Your Troubles, Stan and Ollie join up for World War One and, with the return of peacetime, become unofficial guardians to the small daughter of a fallen army buddy. Their First Mistake turns out to be adopting a baby in order to keep Mrs. Hardy occupied, only for them to discover that she has left. In the early silent comedy Putting Pants On Philip it is Oliver Hardy who plays guardian to a young Scotsman, Philip (Stan Laurel), who makes an embarrassing spectacle wit his traditional grab and fondness for chasing girls!
　　PACK UP YOUR TROUBLES - restored black-and-white version
　　PACK UP YOUR TROUBLES - computer-colour version
　　THEIR FIRST MISTAKE - restored black-and-white version
　　THEIR FIRST MISTAKE - computer-colour version
　　PUTTING PANTS ON PHILIP - restored black-and-white silent comedy with music

　　A classic feature film, plus two great shorts continuing the `adopt-a-child` theme. In Pack Up Your Troubles, Stan and Ollie join up for World War One and, with the return of peacetime, become unofficial guardians to the small daughter of a fallen army buddy. Their First Mistake turns out to be adopting a baby in order to keep Mrs. Hardy occupied, only for them to discover that she has left. In the early silent comedy Putting Pants On Philip it is Oliver Hardy who plays guardian to a young Scotsman, Philip (Stan Laurel), who makes an embarrassing spectacle wit his traditional grab and fondness for chasing girls!
　　PACK UP YOUR TROUBLES - restored black-and-white version
　　PACK UP YOUR TROUBLES - computer-colour version
　　THEIR FIRST MISTAKE - restored black-and-white version
　　THEIR FIRST MISTAKE - computer-colour version
　　PUTTING PANTS ON PHILIP - restored black-and-white silent comedy with music

　　一对夫妇在看到他们的一个朋友把一座旧磨坊改造成舒适的房子后，搬进了一个旧农舍……

　　In the film, a team of Special Forces commandos are in the middle of an operation when they’re abducted by a mysterious spacecraft. When they wake up aboard the ship, they quickly discover they are being hunted by a merciless alien race.

　　In the film, a team of Special Forces commandos are in the middle of an operation when they’re abducted by a mysterious spacecraft. When they wake up aboard the ship, they quickly discover they are being hunted by a merciless alien race.

　　Buster Keaton's final silent feature, as well as the final film in which MGM allowed him any creative control.

　　Buster Keaton's final silent feature, as well as the final film in which MGM allowed him any creative control.

　　Minnie and Moskowitz is a film by John Cassavetes, starring his wife, Gena Rowlands, and actor Seymour Cassel in the title roles of Minnie and Moskowitz, respectively.Following a www. aiyoutv.com break-up, Minnie Moore, a museum curator, becomes disillusioned by love and meaningful relationships. But after a seemingly chance encounter, she meets Seymour Moskowitz, a parking-lot attendant. After this event, Moskowitz falls in love with Minnie, trying desperately to get her to love him back.

　　A film version of a play Fassbinder directed in Hamburg, Clare Booth Luce's "The Women". It gave Fassbinder an opportunity to indulge his passion for working with women - there are forty women in the play and no men.
　　The play dates from the 1930s, and Fassbinder was accused by the critics of being anti-women (a frequent criticism of late). As usual, he chose to work "against" the text, and from this has constructed an entertaining and engaging play about love between upper-class women with nothing better to do than sneer at others when things go wrong with their lives and loves.

　　This film took the top honor at the 1969 Berlin Film Festival. After a series of documentaries, this marks the directorial debut for Zelimir Zilnik. It takes a decidedly anti-Stalinist view in the wake of the 1968 Russian invasion of Czechoslovakia and raises important political questions. He states that although the world has experienced untold wars, there have only been a handful of revolutions with any lasting significance that lead to political change.

　　This film took the top honor at the 1969 Berlin Film Festival. After a series of documentaries, this marks the directorial debut for Zelimir Zilnik. It takes a decidedly anti-Stalinist view in the wake of the 1968 Russian invasion of Czechoslovakia and raises important political questions. He states that although the world has experienced untold wars, there have only been a handful of revolutions with any lasting significance that lead to political change.

　　A quick glimpse at the cast for this film would make any horror fan giddy with glee. The actual movie doesn't live up to those high expectations, but it's far from being all bad. Desi Arnaz Jr. (!) plays an author who makes a crazy $20,000 bet with his publisher that he could write a great novel in only 24 hours. To do so, the publisher gives him the keys to an old abandoned house where he won't be disturbed. Not true. Once he gets there he is interrupted by a multitude of guests including a family which consists of John Carradine, Sheila Keith, Peter Cushing and Vincent Price. They are gathered there in a twisted family reunion to release their brother from the room he's been imprisoned in for forty years. Even Christopher Lee drops by as Corrigan, the man who has just purchased the house. Soon, they realize that the caged brother is loose and out for revenge.
　　What a great plotline and what a dream cast! This movie should have been a hell of a lot better. It's hard to pinpoint the exact problems with the film, but I would venture to say that the lack of lighting was a major fault. Sure the house has no electricity but I think they took the title of the movie a little too literally. Scenes after scenes are barely visible and the actors' faces are undecipherable. Only the moments in the main dinning hall are well lit. Also, the great actors are given very little to do. Cushing gets a few chuckles as the scared brother but Price, Lee and especially Carradine are somewhat wasted here. Well, at least Price gets the best line of the film: `Please don't interrupt me while I am soliloquizing.' And on the plus side, the story has enough twists and turns throughout to keep one`s interest and the ending, while a bit of a cop-out, manages to surprise.

　　A quick glimpse at the cast for this film would make any horror fan giddy with glee. The actual movie doesn't live up to those high expectations, but it's far from being all bad. Desi Arnaz Jr. (!) plays an author who makes a crazy $20,000 bet with his publisher that he could write a great novel in only 24 hours. To do so, the publisher gives him the keys to an old abandoned house where he won't be disturbed. Not true. Once he gets there he is interrupted by a multitude of guests including a family which consists of John Carradine, Sheila Keith, Peter Cushing and Vincent Price. They are gathered there in a twisted family reunion to release their brother from the room he's been imprisoned in for forty years. Even Christopher Lee drops by as Corrigan, the man who has just purchased the house. Soon, they realize that the caged brother is loose and out for revenge.
　　What a great plotline and what a dream cast! This movie should have been a hell of a lot better. It's hard to pinpoint the exact problems with the film, but I would venture to say that the lack of lighting was a major fault. Sure the house has no electricity but I think they took the title of the movie a little too literally. Scenes after scenes are barely visible and the actors' faces are undecipherable. Only the moments in the main dinning hall are well lit. Also, the great actors are given very little to do. Cushing gets a few chuckles as the scared brother but Price, Lee and especially Carradine are somewhat wasted here. Well, at least Price gets the best line of the film: `Please don't interrupt me while I am soliloquizing.' And on the plus side, the story has enough twists and turns throughout to keep one`s interest and the ending, while a bit of a cop-out, manages to surprise.

　　影片取得了巨大的成功，德·西卡和莉亚·弗兰卡因此成为明星，歌曲《Parlami d'amore Mariù》也成了一首热门歌曲。在意大利电影史上，这种情况很少见，影片是在真实的米兰地点拍摄的，如今它成了一种展示30年代米兰风貌的纪录片。1953年，格劳科·佩莱格里尼对这部影片进行了重拍。

　　This French family film is filled with action, animals, adventure, and suspense. The story is told from a child's viewpoint. One day, while playing in his secret tree house in the forest, 11-year old Antoine spies upon bank robbers stashing 40-million francs worth of loot. One of the robbers is the father of his newest best friend Lisa, a 10-year old Canadian visitor. Not wanting to rat on her father, Antoine instead moves the money to a different spot. Neither he, nor Lisa have a lot of respect for their frequently absent fathers. They find adults to be inherently hypocritical. Both kids do share a love of animals though. Together, they decide to run away to Biarritz, a resort town, and start spending a little money. The thieves are livid when they discover their stash is missing, particularly Max, and they try, unsuccessfully to catch the kids. Antoine is assisted by his muscular governess Clemence as he and Lisa suffer through numerous narrow escapes while spending their ill-gotten gain. - Sandra Brennan, All Movie Guide

　　This French family film is filled with action, animals, adventure, and suspense. The story is told from a child's viewpoint. One day, while playing in his secret tree house in the forest, 11-year old Antoine spies upon bank robbers stashing 40-million francs worth of loot. One of the robbers is the father of his newest best friend Lisa, a 10-year old Canadian visitor. Not wanting to rat on her father, Antoine instead moves the money to a different spot. Neither he, nor Lisa have a lot of respect for their frequently absent fathers. They find adults to be inherently hypocritical. Both kids do share a love of animals though. Together, they decide to run away to Biarritz, a resort town, and start spending a little money. The thieves are livid when they discover their stash is missing, particularly Max, and they try, unsuccessfully to catch the kids. Antoine is assisted by his muscular governess Clemence as he and Lisa suffer through numerous narrow escapes while spending their ill-gotten gain. - Sandra Brennan, All Movie Guide

　　几年之后，固执的齐铁当上了刑警大队的大队长，圆滑的孙一凡当副队长，沉稳的肖文平成为政委。三个联手合作，破获了一起又一起案子。但区委书记黎方的儿子黎小方的枪击案却让三人合作关系分崩离析。孙一凡一气之下，下海经商，离开了警察行业，看着好朋友离开，齐铁实在没料想到，几年之后，他们会刀枪相见。 　　顺美公司经理李非狎妓的案子，牵带出来一系列绑架，抢劫与凶杀事件，齐铁在调查之中，发现警察阵营内部竟然也是良莠不齐，证据被监守自盗，情报消息总是泄露，发展更恶劣的是证人在眼皮下面遭人暗杀。齐铁恍若置身四面楚歌之境，虽然有林鹏等一批年轻干警鼎力协助，性格刚烈的齐铁还是在个别上级领导的怂恿下，革职审查。从刑警队退职的王启明的自杀，让一度消沉的齐铁在纷扰的线索中，重新开始孤独地寻找突破口。 　　齐铁发现，王启明卷入了一个阴暗的经济旋涡，无法脱身，以自杀的方式寻求解脱，但内心仍然无法平静，只好以死谢罪。齐铁在重重迷雾之下，开始逐渐看清楚经济旋涡的内幕，发现好朋友肖文平也被携卷其中；更甚的是，背后的操纵者，竟然是他曾经最好的朋友孙一凡与已经升职为市委副书记的黎方的儿子黎小方，虽然他的枪口可以义无反顾地指向劣迹累累的罪人，但他最终发现，真正受伤的是他自己。 　　孙一凡自杀了，肖文平最终牺牲在岗位上，齐铁不知道，他们的死是一种谢罪，还是一种屈服，他唯一明白的是，他不愿意看到审判席的被告台上，站的是一个人民警察。历尽挫折，曾经是一个小偷的白冰终于与齐铁走到了一起，感情好象都被欲望被腐蚀的时候，他们的爱情却还是依然清新。齐铁不是英雄，他只是在职责与道义感中，找到自己的生活，在各种波折之后，他的生活还在继续，他是一个警察。这，就是故事的全部。

　　几年之后，固执的齐铁当上了刑警大队的大队长，圆滑的孙一凡当副队长，沉稳的肖文平成为政委。三个联手合作，破获了一起又一起案子。但区委书记黎方的儿子黎小方的枪击案却让三人合作关系分崩离析。孙一凡一气之下，下海经商，离开了警察行业，看着好朋友离开，齐铁实在没料想到，几年之后，他们会刀枪相见。 　　顺美公司经理李非狎妓的案子，牵带出来一系列绑架，抢劫与凶杀事件，齐铁在调查之中，发现警察阵营内部竟然也是良莠不齐，证据被监守自盗，情报消息总是泄露，发展更恶劣的是证人在眼皮下面遭人暗杀。齐铁恍若置身四面楚歌之境，虽然有林鹏等一批年轻干警鼎力协助，性格刚烈的齐铁还是在个别上级领导的怂恿下，革职审查。从刑警队退职的王启明的自杀，让一度消沉的齐铁在纷扰的线索中，重新开始孤独地寻找突破口。 　　齐铁发现，王启明卷入了一个阴暗的经济旋涡，无法脱身，以自杀的方式寻求解脱，但内心仍然无法平静，只好以死谢罪。齐铁在重重迷雾之下，开始逐渐看清楚经济旋涡的内幕，发现好朋友肖文平也被携卷其中；更甚的是，背后的操纵者，竟然是他曾经最好的朋友孙一凡与已经升职为市委副书记的黎方的儿子黎小方，虽然他的枪口可以义无反顾地指向劣迹累累的罪人，但他最终发现，真正受伤的是他自己。 　　孙一凡自杀了，肖文平最终牺牲在岗位上，齐铁不知道，他们的死是一种谢罪，还是一种屈服，他唯一明白的是，他不愿意看到审判席的被告台上，站的是一个人民警察。历尽挫折，曾经是一个小偷的白冰终于与齐铁走到了一起，感情好象都被欲望被腐蚀的时候，他们的爱情却还是依然清新。齐铁不是英雄，他只是在职责与道义感中，找到自己的生活，在各种波折之后，他的生活还在继续，他是一个警察。这，就是故事的全部。

　　Three movie genres of the 1930s, boxing films, WWI aviation dramas, and backstage Broadway musicals, are satirized using the same cast.

　　Three movie genres of the 1930s, boxing films, WWI aviation dramas, and backstage Broadway musicals, are satirized using the same cast.

　　The film tells the story of Martha Hoffman, an eccentric and wealthy patron who is committed to a psychiatric clinic by her daughters. The expert witness Casares investigates whether this is a scheme to control their mother’s fortune or if Martha truly suffers from a form of dementia that endangers her well-being and that of her family.